Vol. 4 No. 2 (2024)

View Vol. 4 No. 2 (2024)
Published: 2024-09-10

Dossier: Posthuman Encounters - Desires, Fears, and the Uncanny

  • Introduction

    Jana-Katharina Burnikel, Joachim Frenk, Anne Hess
    61-70
    DOI: https://doi.org/10.33182/joph.v4i2.3356

  • Westworld and Humans: The Sentimental Disposition of Popular Posthumanism

    Christian Krug
    71-78
    DOI: https://doi.org/10.33182/joph.v4i2.3339

  • Homo Crispr and the Uncanny Art of Self-Reproduction

    Dunja M. Mohr
    79-89
    DOI: https://doi.org/10.33182/joph.v4i2.3350

  • The Promise and Peril of Emerging Technology for Brain Enhancement

    Kevin LaGrandeur
    91-98
    DOI: https://doi.org/10.33182/joph.v4i2.3340

  • Of Information Superhighways, Sexbots, Friends: The Delights of the Uncanny

    Cordula Lemke
    99-106
    DOI: https://doi.org/10.33182/joph.v4i2.3357

  • AI at Elsinore: What Horatio can teach us about Artificial Intelligence

    Stephan Laque
    107-114
    DOI: https://doi.org/10.33182/joph.v4i2.3355

  • Screening Posthuman Procreation and Monstrous Motherhood in Raised by Wolves

    Jana-Katharina Burnikel
    115-122
    DOI: https://doi.org/10.33182/joph.v4i2.3338

  • Posthuman Encounters and Patterns of Care in Klara and the Sun (2021) or, What Ishiguro’s AI Tells Us About the Uncanny Valley

    Diane Leblond
    123-132
    DOI: https://doi.org/10.33182/joph.v4i2.3348

  • “They are here. They are everywhere. They are us.” – Posthuman Encounters in Samanta Schweblin’s Little Eyes (2018)

    Heike Missler
    133-140
    DOI: https://doi.org/10.33182/joph.v4i2.3347

  • Fungal Intelligence and the Posthuman: Mycohuman Art, Entangled Theory, and Fungi in (Eco-)Gothic Narratives

    Susanne Gruss
    141-149
    DOI: https://doi.org/10.33182/joph.v4i2.3341

  • “The Scrapyard at the End of the Universe”: Waste Spaces as Incubators for Uncanny AI in the Doctor Who Episode “The Doctor’s Wife”

    Anne Hess
    151-158
    DOI: https://doi.org/10.33182/joph.v4i2.3326

  • The Digital Hereafter, or: Nirvana in the Cloud

    Dirk Vanderbeke
    159-167
    DOI: https://doi.org/10.33182/joph.v4i2.3344