Journal of Posthumanism https://journals.tplondon.com/jp <p><strong><a title="Journal of Posthumanism" href="https://journals.tplondon.com/jp"><em><img style="padding: 0 15px; float: left;" src="https://journals.tplondon.com/public/journals/7/journalThumbnail_en_US.jpg" height="200" /></em></a> Journal of Posthumanism</strong> is an international multilingual peer-reviewed scholarly <a href="https://journals.tplondon.com/jp/about#oanchor"> Open Access</a> journal promoting innovative work to transverse the fields ranging from social sciences, humanities, and arts to medicine and STEM. In line with the efforts of creating a broad network beyond disciplinary boundaries, the journal seeks to explore what it means to be human in this technologically-saturated, ecologically damaged world, and transcend the traditional conception of the human while encouraging philosophical thinking beyond humanism. </p> <p>The <strong>Journal of Posthumanism</strong> is an <a href="https://journals.tplondon.com/jp/about#oanchor"> Open Access</a> publication, allowing users to freely access, download, copy, distribute, print, search, or link to full-text articles for any lawful purpose without requiring permission from the publisher or author. </p> <p><strong>Journal of Posthumanism</strong> is abstracted and indexed in:</p> <ul> <li><a title="Scopus journal list" href="https://www.elsevier.com/?a=91122" target="_blank" rel="noopener">Scopus</a></li> <li><a title="ANVUR" href="https://www.anvur.it/en/homepage/" target="_blank" rel="noopener">ANVUR (Official List of Scientific Journals in Italy)</a></li> <li><a href="https://www.mla.org/content/download/88396/file/All-Indexed-Journal-Titles.xlsx">Modern Language Association (MLA)</a></li> <li><a href="https://kanalregister.hkdir.no/publiseringskanaler/KanalTidsskriftInfo.action?id=501734">Norwegian Register for Scientific Journals (NSD)</a></li> <li><a href="https://ideas.repec.org/s/mig/jpjrnl.html">RePEc</a></li> <li>Central and Eastern European Online Library (CEEOL)</li> <li><a href="https://v2.sherpa.ac.uk/id/publication/42479">Sherpa RoMEO</a></li> </ul> <p class="smaller"><strong>Journal Founded:</strong> 2020<br /><strong>ISSN </strong>2634-3576 (Print) | <strong>ISSN </strong>2634-3584 (Online)<br /><strong>Publication Frequency:</strong> Three Issues a year in Winter, Summer and Fall from 2022 onwards. </p> en-US <p>CC Attribution-NonCommercial-NoDerivatives 4.0</p> <p>The works in this journal is licensed under a <a href="https://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>.</p> posthumanism@tplondon.com (JP Admin) admin@tplondon.com (TPL Admin) Tue, 31 Oct 2023 00:00:00 +0000 OJS 3.2.1.2 http://blogs.law.harvard.edu/tech/rss 60 Front Matter https://journals.tplondon.com/jp/article/view/3208 Copyright (c) 2023 Admin https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/3208 Tue, 31 Oct 2023 00:00:00 +0000 Fermenting Futures https://journals.tplondon.com/jp/article/view/1344 <p class="KEYWORDSJOP"><span style="color: windowtext; font-weight: normal;"><em>In this paper I explore the material and metaphoric affordances of fermentation as an “art of noticing” (Tsing, 2015) as embodied through a collaborative practice of making with migrant women of colour in the kitchen. In doing so, I make visible some of the ways in which our microbial entanglements make us part of our environments, and the ways in which these have the potential to connect us to planetary metabolic ecologies. Through this practice, I further work to disrupt the exclusion of marginalised people from the category of human by challenging the basis of individualism and the idea of human as a discrete category. I do so by utilising food fermentation to consider the ‘cross-cultural’/multispecies ethics at play as a heuristic for a mode of participation that can account for diverse modes of knowledge and agency. </em></span></p> Kaajal Modi Copyright (c) 2023 Kaajal MODI https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/1344 Tue, 31 Oct 2023 00:00:00 +0000 The House of Pain: The Island of Dr. Moreau and Post/Trans/ Humanism Today https://journals.tplondon.com/jp/article/view/2069 <p><em>H. G. Wells’ novel The Island of Dr. Moreau (1896) is a bleak critique of the Victorian notion that evolution can provide ethical or social guidance to humanity. This essay reads the novel in the context of the contemporary debate between posthumanism and transhumanism. By applying theoretical models derived from Braidotti, Agamben, Wolfe and others, the essay argues that Wells’ evolutionary antihumanism provides a corrective to both critical posthumanism’s attempts to articulate a non-anthropocentric ethics, and to transhumanism’s dreams of transcending humanity. The essay considers the chronotope of an island polity in the context of evolutionary antihumanism by comparing Wells’ novel with the contemporary biotech thriller Island 731 (2013) by Jeremy Robinson.</em></p> <p> </p> Elana Gomel Copyright (c) 2023 Elana Gomel https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/2069 Tue, 31 Oct 2023 00:00:00 +0000 Sorgner, L.S. (2022). Philosophy of Posthuman Art. Schwabe Verlag. https://journals.tplondon.com/jp/article/view/2909 <p><em>Review of Sorgner, L.S. (2022). Philosophy of Posthuman Art. Schwabe Verlag.</em></p> Stefano Rozzoni Copyright (c) 2023 Stefano Rozzoni https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/2909 Tue, 31 Oct 2023 00:00:00 +0000 Sands, Danielle. (Ed.). (2022). Bioethics and the Posthumanities. Routledge. https://journals.tplondon.com/jp/article/view/2925 <p><em>The turn of the twenty-first century and the subsequent continuous emergence of implications related to technological advancement have brought a crisis into the heart of the humanities. Its etymological origin, humanism, a philosophical stance shaped during and perpetuated by the Enlightenment, is becoming more and more redundant. An ecological emergency and advancements in science have created a need for a renewed understanding of subjectivity as well as of humanity’s place in and relation to the rest of the world. The reviewed volume exposes the timeliness and unquestionable relevance of posthumanism in relation to the needs created by contemporary reality, both within and without the academy and the humanities. Beyond merely philosophizing, Danielle Sands explores the practical applications of posthuman theory in the field of bioethics by including nine original, insightful, and interdisciplinary chapters that aspire to build a better present and a better future for all.</em></p> Stavroula Anastasia Katsorchi Copyright (c) 2023 Stavroula-Anastasia Katsorchi https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/2925 Tue, 31 Oct 2023 00:00:00 +0000 Cecchetto, D. (2022). Listening in the Afterlife of Data. Aesthetics, Pragmatics, and Incommunication. Duke University Press. https://journals.tplondon.com/jp/article/view/3140 <p><em>Review of Cecchetto, D. (2022). Listening in the Afterlife of Data. Aesthetics, Pragmatics, and Incommunication. Duke University Press.</em></p> Monika Jaeckel Copyright (c) 2023 monika jaeckel https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/3140 Tue, 31 Oct 2023 00:00:00 +0000 Moslund, S.P., Marcussen, M.K., Pedersen, M.K. (Eds.). (2020). How Literature Comes to Matter. Post-Anthropocentric Approaches to Fiction https://journals.tplondon.com/jp/article/view/3080 <p><em>How Literature Comes to Matter offers a path-breaking look at how New Materialist/Posthumanist theory might contribute to literary reflections on the entangled relations between humans and more-than-human material realities. By establishing a link between fiction and post-anthropocentric theory, the book attempts to broaden the scope of how such theory(-ies) might be used to interrogate the presence and significance of the objective and the non-human in literature.</em></p> Vedant Srinivas Copyright (c) 2023 Vedant Srinivas https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/3080 Tue, 31 Oct 2023 00:00:00 +0000 Nayar, P. K. (2019). Ecoprecarity: Vulnerable Lives in Literature and Culture. Routledge. https://journals.tplondon.com/jp/article/view/3162 <p><em>Review of Nayar, P. K. (2019). Ecoprecarity: Vulnerable Lives in Literature and Culture. Routledge.</em></p> Jovana Isevski Copyright (c) 2023 Jovana Isevski https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/3162 Tue, 31 Oct 2023 00:00:00 +0000 Can the Prosumer Economy be a Posthumanist Economy? https://journals.tplondon.com/jp/article/view/3005 <p><em>Devastated by the ongoing climate and biodiversity crises, humanity is seeking a way out. For this, the current system where profit maximization, consumption, and human dominance over nature needs to change. In the current anthropocentric economic system, human beings are considered to be the most central and significant entities in the world. Both posthumanism and the prosumer economy reject this idea. The prosumer economy postulates a way to transform the profit-maximizing consumer economy into one that is based on ecological and social justice. This shared critique indicates a relationality between these two movements. We propose an existence where the prosumer economy is the economic system of a posthumanist world. The combination of these two ideas could provide the philosophical depth of the posthumanist perspective into the practice of the prosumer economy and provide an option for posthumanism to be further actionable.</em></p> Eylül Tuana Çevirme, Elvan Ece Satıcı, Uygar Özesmi Copyright (c) 2023 Uygar Özesmi, Elvan Ece Satıcı, Eylül Çevirme https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/3005 Tue, 31 Oct 2023 00:00:00 +0000 Mermaids and Drag Queens: A Queer Look at Mermaiding https://journals.tplondon.com/jp/article/view/1972 <p><em>Mermaiding is the practice of wearing a tail designed to look like that of a fish. In this work I look at this phenomenon from the lens of gender and performance, aiming to understand if mermaiding constitutes a form of drag, by establishing the position of the mermaid symbol in queer and transgender spaces, then comparing testimonies of drag performers and professional and amateur mermaids. I also look at this practice through the lens of post-human theory, determining in which ways the mermaid body constitutes an object of identification for the person wearing a tail. By doing so, I demonstrate the similarities between the phenomena and their meaning, and show that the emergence of this practice affirms posthuman predictions of a future where the connection between human body and identity dissolve and enable new, hybrid identities.</em></p> Yuval Avrami Copyright (c) 2023 Yuval Avrami https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/1972 Tue, 31 Oct 2023 00:00:00 +0000 Spontaneous Cosmic Becomings: El Paso Spontaneous Shrine and Cosmic Generator Cut Together in Conocimiento https://journals.tplondon.com/jp/article/view/2708 <p><em>This paper considers Mika Rottenberg’s Cosmic Generator alongside the El Paso spontaneous shrine constructed after the August 3, 2019 mass shooting to examine the material conditions of difference with which we are entangled and construct meaning. This paper utilizes an entangled methodology to explore connections and complexities produced by reading these two works together in order to produce complicated understandings of politics, race, and capitalism. This is done while expanding new materialist methodologies and border studies’ application in art education to include discursive notions of making. This making involves the generative creation of understanding (conocimiento), where unlike works are read or held together in their difference to create new understandings and resist difference as ossified. We are left with a deeper understanding of the border as a space of cosmic possibility juxtaposed against a notion of racism complicated by an economic system, that we are all implicated in. </em></p> Heather Kaplan Copyright (c) 2023 Heather Kaplan https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/2708 Tue, 31 Oct 2023 00:00:00 +0000 Locking and Unlocking: The potentialities for intra-storying-activism in “this” baglady collective. https://journals.tplondon.com/jp/article/view/3015 <p><em><span style="font-weight: 400;">In this article we disrupt extractivist and privileged individualised knowledge production by decentering the human ‘I’ to ‘we’ through storying.&nbsp; By entangling more-than-human bodies, ‘we’ is&nbsp; re-configured through a posthuman praxis of an iterative metamorphosing Baglady storying collective. Starting with the provocation of locking and unlocking, we story as a way to make sense of political and ethical affectivities that disrupt and interrupt everyday materialities and spatialities. From here, we speculate with movements of response-ability as “intra-activism” (Renold &amp; Ringrose, 2017, 631). For us, storying puts in motion intra-action, speculation, calls to act, relationality and feminist community building that we frame as </span></em><em><span style="font-weight: 400;">intra-storying-activism. </span></em><em><span style="font-weight: 400;">Making and re-making stories with </span></em><em><span style="font-weight: 400;">intra-storying-activism navigates</span></em><em><span style="font-weight: 400;"> non-hierarchical post-authorship to re-imagine, speculate-with and trouble the human from extractivist positions. By foregrounding relationality as a multiplying storying, we create playful, dynamic and generative spaces for knowledge making as a collective that both welcomes and provokes calls to act.&nbsp;&nbsp;</span></em></p> <p>&nbsp;</p> <p>&nbsp;</p> Baglady, Jo Albin-Clark, Julie A Ovington, Philippa Isom, Louise Platt, Lucy Harding, Faelan Carley, Alice Elwell, Philippa Nicoll Antipas, Anna Pilson, Charlotte E. Marshall, Sharon Louise Smith Copyright (c) 2023 Jo Albin-Clark, Julie A Ovington, Philippa Isom, Louise Platt, Lucy Harding, Faelan Carley, Alice Elwell, Anna Pilson, Charlotte E. Marshall, Sharon Louise Smith https://creativecommons.org/licenses/by-nc-nd/4.0 https://journals.tplondon.com/jp/article/view/3015 Tue, 31 Oct 2023 00:00:00 +0000