Vol. 2 No. 3 (2022)

• Front Matter

  Admin

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• “Can I use the toilet?”: Watching Steven Moffat’s Doctor Who (2010-2017) as Posthuman Television

  Jonathan Hay

  193-204

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• Autonomy, Posthuman Care, and Romantic Human-Android Relationships in Cassandra Rose Clarke’s The Mad Scientist’s Daughter

  Monica Sousa

  205–214

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• Morphological Fantasies: Posthuman Embodiment in Tian Xiaolei’s Video Art

  Xiaoli Yang

  215–227

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• Staying with the Trouble with Wilderness: Reworking Nature and Culture in the Plantationocene

  Jordan Johnson

  229–247

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• Forms of Care in Human–Nature–Technology Environments

  Patricia Ciobanu, Oskar Juhlin

  249–266

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• “Woman has won”; “(Venus won)”: On Donna Haraway’s Goddess

  Maria Theuma

  267–286

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• Philosophical Posthumanism and Intentionality

  Albert Piacente

  287–301

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Commentaries & Interviews

• A Commentary on Mark Wallace’s When God was a Bird

  Andrew Cutler

  303–308

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Book Reviews

• Buran, S. (Ed.). (2020). Edebiyatta posthümanizm. TPLondon.

  Nikoleta Zampaki

  309–313

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• Morton, T. & Boyer, D (2021). Hyposubjects: On becoming human. Open Humanities Press.

  Nicola Robertson

  315–318

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Artistic Works

• Diffracted Photography: A Luminous Entanglement

  Lorena Bañares

  319–326

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• Floating Harmony: cutting-apart-back-together – a constellation of ‘becoming with’ in Horse ‘Henry Rainbow’ & Devoted Rider

  Donna Carlyle

  327–334

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