Vol. 2 No. 1 (2024)

View Vol. 2 No. 1 (2024)
Published: 2024-08-05

Editorial

  • Editorial Introduction: Art as Subversion

    Binayak Roy
    1-4
    DOI: https://doi.org/10.33182/csas.v2i1.3385

Articles

  • Myth, Mystery, and Murder: Trauma and Resistance in The Seven Moons of Maali Almeida

    Ashmita Saha, Mallika Ghosh Sarbadhikary
    5-13
    DOI: https://doi.org/10.33182/csas.v2i1.3255

  • From Esoteric Religiosity to Ethical Inclusivity: An Investigation of the Detrimental Effects of Religious Trauma in The Saint of Bright Doors

    Lemon Sam
    15-21
    DOI: https://doi.org/10.33182/csas.v2i1.3309

  • At Childhood’s End: Trauma, Survivance, and the Healing Fantastic in Abhishek Majumdar’s The Djinns of Eidgah

    Mayurika Chakravorty
    23-31
    DOI: https://doi.org/10.33182/csas.v2i1.3317

  • Evolution of Female Desire and Fantasy in Bollywood Cinema: Perspectives from Male and Female Directors in the Post-Liberalization Era

    Shrinwanti Mistri, Roudrajjal Dasgupta
    33-47
    DOI: https://doi.org/10.33182/csas.v2i1.3308

  • Itihasam of/as Legend: Time, Space, and Narrative Consciousness in The Legends of Khasak

    Srinjoyee Dutta, Arnav Gogoi
    49-60
    DOI: https://doi.org/10.33182/csas.v2i1.3310

  • “Something Miraculous about Them”: ‘Indian Doctors’ and quacks in White Australia, 1880-1930

    Amit Sarwal
    61-79
    DOI: https://doi.org/10.33182/csas.v2i1.3335

  • The Uncanny in Geetanjali Shree’s Tomb of Sand: Subverting the Reality

    Nabanita Chakraborty
    81-89
    DOI: https://doi.org/10.33182/csas.v2i1.3247